To my mind the essential difference, and the precise difference, between tragedy and pathos is that tragedy brings us not only sadness, sympathy, identification and even fear; it also, unlike pathos, brings us knowledge or enlightenment.-- From “The Tragedy of the Common Man”, and “The Name of Tragedy”; New York Herald-Tribune, 1949
As Aristotle said, the poet is greater than the historian because he presents not only things as they were, but foreshadows what they might have been. We forsake literature when we are content to chronicle disaster. Tragedy, therefore, is inseparable from a certain modest hope regarding the human animal. And it is the glimpse of this brighter possibility that raises sadness out of the pathetic toward the tragic...
The possibility of victory must be there in tragedy. Where pathos rules, where pathos is finally derived, a character has fought a battle he could not possibly have won. The pathetic is achieved when the protagonist is, by virtue of his witlessness, his insensitivity or the very air he gives off, incapable of grappling with a much superior force.
Pathos truly is the mode for the pessimist. But tragedy requires a nicer balance between what is possible and what is impossible.
Debris Prised from Debris
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