Wandering
Big Box Of Terror
In conversations with friends over the past few weeks, we admitted experiencing an uneasy, underlying sense that The World had fundamentally changed in a way we can't fully grasp, validate, or prove. We were the same, but everything around us had shifted, slightly -- like a kid's party game, where you guess which items have been moved on a table.
The Oldest Friend came close: "It's like I went to bed one night, and woke up in an alternate universe that was just a little bit different than the one I went to sleep in. Nothing immediately definable -- it would be like discovering there had never been Abba-Zaba Bars, or the original 'Star Trek' ran for three seasons, not two. I'm fine; I'm okay -- but, the World feels 'off', different -- 'stranger in a strange land'-ish.
"That's completely subjective, I know," she said, "but it takes a while to go away, and it's pervasive."
While all of the people I spoke with defined that experience a bit differently, there was common agreement that we perceived some difference between ourselves and The World that hadn't existed before -- which led us to feel mildly alienated from everything, except possibly each other.
When we said The World, we didn't mean the planet, the natural landscape. Climate deterioration aside, the Natural World seems to be solid, abiding. 'The World' we referred to is the one built out of social fabric, stretched on a framework of collective relationships and stitched together by the cultural Ways our society accepts and agrees to in those relations. It was in that world we felt, suddenly, out of place.
The Girl Who Refused To Be Mrs. Mongo said it reminded her of the Cold War -- what it meant to live in the knowledge that nuclear war was possible (guess what? It still is). It was an understanding we kept, down in the basement of our consciousness, jammed in a dark corner, along with the box that has the big, yellow label with red lettering -- Terror: Or, we are Mortal and Death is Mystery.
There were times down those years when we woke up in the middle of the night after a particularly bad news cycle, thinking what if the sirens just went off? Now (the people I spoke with agreed), nearly every morning when we get up, we wonder what new outrage has been committed, what new boundary was crossed, while we slept. We come awake expecting bad news. One way or another what we're really thinking is What? What Has Trump Done Now?
Someone noted, 'Trump is the new Cold War' -- meaning, like that time in our collective past, he has become the symbol and avatar of that dark corner in our own basements. His antics are a reminder that The World is just a construct, and the control we think we have over the Natural World is an illusion. Trump is the embodiment of unpredictability.
As a 72-year-old, Trump has to know that he will not live forever. Spasmodically, he acts out and splatters America with his own feces, then revels in the disgust he provokes, the impotent anger of others, all to feed an endless hunger for validation to avoid the Big Box Of Terror at the center of his own being.
So I wake up in the 2:30AM, sometimes with the Terror, sometimes not. I remind myself that we're animals, hard-wired to survive -- and self-conscious animals, who understand that our lives are finite, and demand answers.
Our world (the actual one around us; the perceived one in our heads) is changing. It has always been unpredictable in its details -- but not in our beginnings, rites of passage, ecstasies and sorrows, and our end. No one, alive or dead, can say why we came to be or where we're going -- but we demand our Reason Why, even if it's not possible.
And I remind myself: all of our Details are in The Stories. It's why Gilgamesh. It's why Homer and Herodotus, Chaucer and Pope; Dickens and Melville. It's why statuary and panel and canvas and paper, camera, movement and words on a Stage. It's why music from Cantos to Paart, Bach to Ravel, Joplin to Pere Ubu -- and all of it bent to the virtuous effort of telling the Story of What Happened To Us When We Went Through It. All of our details go; only the Stories remain.
I considered this, and because I'm only a Dog and not a philosopher, passed my observation on to friends in the version used at the Soul Of America: Be Kind, Motherfuckers. They could get behind that.
This Bathroom Is Occupied
I'd picked up Peter Fritzsche's 2016 book, "An Iron Wind: Europe Under Hitler", now out in paperback. Browsing it at a bookshop, I was idly looking for resonances with the perspective that we're living in an occupied country, under Trump and his creatures. As if the nightmare were something alien, forced on us by an invader.
I do actually know better. My life in America is not even remotely similar to the European experience between 1939 and 1945. As swinish, bloated and mendacious that Trump and his crew are, they aren't foreign invaders. They don't speak a different language. And they aren't nazis -- though some of Trump's "fine people" parading in Charolettesville last year would like to be.
I'd like to say Trump's government doesn't demand your identification, perform roundups of civilians, make it easy for companies to provide the population with food, water, or products which are unsafe. But they do these things, and much more. And while Trump and the opportunistic leeches he's dragged in his wake are not nazis, there are people in America who are treated by that government as if nazis had landed -- primarily, the Usual Suspects: immigrants, the marginalized poor, people of color; LGBTQ Americans; women.
You know the drill. None of this is news; we see it on television or online, every day. But so long as it isn't happening in more affluent neighborhoods, or to your friends and families or you -- Meh. Doesn't concern us. Have a beer. Watch the Big Game.
In the 1970's, I visited Europe. Walking through cities I noticed (with surprising regularity) something rarely seen in America -- it seemed a significant percentage of adults in their late forties to early sixties had serious facial scars, eye patches or glasses with one darkened lens; crutches, missing limbs.
At a bus stop on a warm morning in southwestern Germany, a man stood waiting, wearing a Tyroler hat, a topcoat and gloves. His face was a smooth mask of shiny, oddly pink skin, which made discerning his age difficult. His nose had been reduced to a smooth bump. Plainly, he'd suffered serious burns -- except around the eyes, where a pilot or air crewman would have worn a set of goggles. I must have been staring; the man looked over at me, took in my non-European appearance and clothing, and said, "Good morning," in a British-accented English.
I nodded back, said nothing, and so missed the opportunity for an insightful conversation with someone who at the least had an interesting personal story. He also might have confirmed what I was already guessing: that the European experience of the Second World War seared everyone by degrees, civilian and military, the persecutors and persecuted, right down to their souls.
Those who weren't killed in occupied Europe continued to experience degrees of cruelty, humiliation, betrayal, anxiety and uncertainty, at levels that would have been unthinkable before 1933 -- and all because it became acceptable and popular in Germany to believe ideas which first became policy, and then law.
One aspect of the Holocaust is as a teaching moment for humanity about intolerance and hate, and where it can lead. Fritzsche's book shows clearly what the power of belief can do to individuals, and groups, in even more detail than any other look at the period I've seen -- something I didn't think was possible. Using only contemporary documents and writings, he shows how The Leader in an authoritarian system provides permission to his followers for accepting astonishing levels of violence (if not committing it), and how he becomes a psychological scapegoat for the violence should it all go bad later.
America's history has already burned us, as Europe's before WWII had done to its own cultures and societies. We aren't living in an occupied country, but we are changing (“The creatures outside looked from pig to man, and from man to pig... but already it was impossible to say which was which”). We run the risk of being seared down to our souls (as Europeans were, over twelve years of nazism) by whatever at the moment seems to be coming.
I'm not sure what it will feel like to live here, when the country gets to wherever we're headed. We can try to be kind, first; perhaps that's all we can do. Perhaps it's the only real act of resistance, in the end.
Murrika: Enshrouded; Lost; Guided By A Trickster (Foto: Joseph Beuys u. Coyote)
Big Box Of Terror
In conversations with friends over the past few weeks, we admitted experiencing an uneasy, underlying sense that The World had fundamentally changed in a way we can't fully grasp, validate, or prove. We were the same, but everything around us had shifted, slightly -- like a kid's party game, where you guess which items have been moved on a table.
The Oldest Friend came close: "It's like I went to bed one night, and woke up in an alternate universe that was just a little bit different than the one I went to sleep in. Nothing immediately definable -- it would be like discovering there had never been Abba-Zaba Bars, or the original 'Star Trek' ran for three seasons, not two. I'm fine; I'm okay -- but, the World feels 'off', different -- 'stranger in a strange land'-ish.
"That's completely subjective, I know," she said, "but it takes a while to go away, and it's pervasive."
While all of the people I spoke with defined that experience a bit differently, there was common agreement that we perceived some difference between ourselves and The World that hadn't existed before -- which led us to feel mildly alienated from everything, except possibly each other.
________________________
When we said The World, we didn't mean the planet, the natural landscape. Climate deterioration aside, the Natural World seems to be solid, abiding. 'The World' we referred to is the one built out of social fabric, stretched on a framework of collective relationships and stitched together by the cultural Ways our society accepts and agrees to in those relations. It was in that world we felt, suddenly, out of place.
_________________________
The Girl Who Refused To Be Mrs. Mongo said it reminded her of the Cold War -- what it meant to live in the knowledge that nuclear war was possible (guess what? It still is). It was an understanding we kept, down in the basement of our consciousness, jammed in a dark corner, along with the box that has the big, yellow label with red lettering -- Terror: Or, we are Mortal and Death is Mystery.
There were times down those years when we woke up in the middle of the night after a particularly bad news cycle, thinking what if the sirens just went off? Now (the people I spoke with agreed), nearly every morning when we get up, we wonder what new outrage has been committed, what new boundary was crossed, while we slept. We come awake expecting bad news. One way or another what we're really thinking is What? What Has Trump Done Now?
Someone noted, 'Trump is the new Cold War' -- meaning, like that time in our collective past, he has become the symbol and avatar of that dark corner in our own basements. His antics are a reminder that The World is just a construct, and the control we think we have over the Natural World is an illusion. Trump is the embodiment of unpredictability.
As a 72-year-old, Trump has to know that he will not live forever. Spasmodically, he acts out and splatters America with his own feces, then revels in the disgust he provokes, the impotent anger of others, all to feed an endless hunger for validation to avoid the Big Box Of Terror at the center of his own being.
________________________
So I wake up in the 2:30AM, sometimes with the Terror, sometimes not. I remind myself that we're animals, hard-wired to survive -- and self-conscious animals, who understand that our lives are finite, and demand answers.
Our world (the actual one around us; the perceived one in our heads) is changing. It has always been unpredictable in its details -- but not in our beginnings, rites of passage, ecstasies and sorrows, and our end. No one, alive or dead, can say why we came to be or where we're going -- but we demand our Reason Why, even if it's not possible.
And I remind myself: all of our Details are in The Stories. It's why Gilgamesh. It's why Homer and Herodotus, Chaucer and Pope; Dickens and Melville. It's why statuary and panel and canvas and paper, camera, movement and words on a Stage. It's why music from Cantos to Paart, Bach to Ravel, Joplin to Pere Ubu -- and all of it bent to the virtuous effort of telling the Story of What Happened To Us When We Went Through It. All of our details go; only the Stories remain.
I considered this, and because I'm only a Dog and not a philosopher, passed my observation on to friends in the version used at the Soul Of America: Be Kind, Motherfuckers. They could get behind that.
_____________________________
This Bathroom Is Occupied
I'd picked up Peter Fritzsche's 2016 book, "An Iron Wind: Europe Under Hitler", now out in paperback. Browsing it at a bookshop, I was idly looking for resonances with the perspective that we're living in an occupied country, under Trump and his creatures. As if the nightmare were something alien, forced on us by an invader.
I do actually know better. My life in America is not even remotely similar to the European experience between 1939 and 1945. As swinish, bloated and mendacious that Trump and his crew are, they aren't foreign invaders. They don't speak a different language. And they aren't nazis -- though some of Trump's "fine people" parading in Charolettesville last year would like to be.
I'd like to say Trump's government doesn't demand your identification, perform roundups of civilians, make it easy for companies to provide the population with food, water, or products which are unsafe. But they do these things, and much more. And while Trump and the opportunistic leeches he's dragged in his wake are not nazis, there are people in America who are treated by that government as if nazis had landed -- primarily, the Usual Suspects: immigrants, the marginalized poor, people of color; LGBTQ Americans; women.
You know the drill. None of this is news; we see it on television or online, every day. But so long as it isn't happening in more affluent neighborhoods, or to your friends and families or you -- Meh. Doesn't concern us. Have a beer. Watch the Big Game.
_______________________________
In the 1970's, I visited Europe. Walking through cities I noticed (with surprising regularity) something rarely seen in America -- it seemed a significant percentage of adults in their late forties to early sixties had serious facial scars, eye patches or glasses with one darkened lens; crutches, missing limbs.
At a bus stop on a warm morning in southwestern Germany, a man stood waiting, wearing a Tyroler hat, a topcoat and gloves. His face was a smooth mask of shiny, oddly pink skin, which made discerning his age difficult. His nose had been reduced to a smooth bump. Plainly, he'd suffered serious burns -- except around the eyes, where a pilot or air crewman would have worn a set of goggles. I must have been staring; the man looked over at me, took in my non-European appearance and clothing, and said, "Good morning," in a British-accented English.
I nodded back, said nothing, and so missed the opportunity for an insightful conversation with someone who at the least had an interesting personal story. He also might have confirmed what I was already guessing: that the European experience of the Second World War seared everyone by degrees, civilian and military, the persecutors and persecuted, right down to their souls.
Those who weren't killed in occupied Europe continued to experience degrees of cruelty, humiliation, betrayal, anxiety and uncertainty, at levels that would have been unthinkable before 1933 -- and all because it became acceptable and popular in Germany to believe ideas which first became policy, and then law.
One aspect of the Holocaust is as a teaching moment for humanity about intolerance and hate, and where it can lead. Fritzsche's book shows clearly what the power of belief can do to individuals, and groups, in even more detail than any other look at the period I've seen -- something I didn't think was possible. Using only contemporary documents and writings, he shows how The Leader in an authoritarian system provides permission to his followers for accepting astonishing levels of violence (if not committing it), and how he becomes a psychological scapegoat for the violence should it all go bad later.
America's history has already burned us, as Europe's before WWII had done to its own cultures and societies. We aren't living in an occupied country, but we are changing (“The creatures outside looked from pig to man, and from man to pig... but already it was impossible to say which was which”). We run the risk of being seared down to our souls (as Europeans were, over twelve years of nazism) by whatever at the moment seems to be coming.
I'm not sure what it will feel like to live here, when the country gets to wherever we're headed. We can try to be kind, first; perhaps that's all we can do. Perhaps it's the only real act of resistance, in the end.
__________________________________
a while ago when dennis kucinich was still in congress i saw an interview with him in which the interviewer called something that had happened 'disillusioning' - kucinich pointed at that disillusionment means coming to have a more accurate view of what is really there - it's a feature, not a flaw
ReplyDeletegrowing up as an army brat, with a dad who was a veteran of world war ii and korea, my idea of the role of the u.s. military was "defenders of freedom" - the main mental picture i had of what the army had done was the u.s. civil war
it was only when my dad moved into the military retirement home, with all the pictures of western forts along the corridor walls, that i came to fully realize that for most of the army's history prior to my birth its main enemy - and hence its proud tradition - was the war against the indians
to the genocide and population displacement of this campaign add in slavery as a central part of the american experience -
and the consequences of these tides of history, these rivers of deeds, to the perps, as well as the perpetrated-upon -
and the remark of the mother in langston hughes' poem - "life for me ain't been no crystal stair" - gains even more resonance
but what i wanted to ask you is - and speaking of stories - have you read hermann broch's "the sleepwalkers", which i saw referenced recently? broch's work is mentioned prominently in milan kundera's "the art of the novel" - someone asserts:
Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe.
Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the post-psychological novel.
a germane article -
Deletehttp://www.nybooks.com/articles/2018/06/28/hitlers-rise-it-can-happen-here/